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Evil Dead 2 (1987)

Evil Dead 2: Reinvigorating the Genre with a Crazy-Mad Variation

Movie / Fast Zombies / Essential

Evil Dead 2 can be found on almost any list of the Top Ten Zombie Movies of All Time. And though a case can be made that Evil Dead and its sequels and spin-offs aren’t really, technically, “zombie movies” at all, one thing is certain: the entire franchise is a major milestone in the genre, a rare instance where the sequel is actually stronger than the original film, and where we can find the premiere of one of horror’s most memorable characters and most durable actors, the launching of a director who’s still making movie history forty years later, and the source of horror’s most powerful and classic tropes. Not bad for one crappy little horror flick.

Let’s start, logically enough, at the beginning: Evil Dead. Conceived and filmed in the late 1970’s and released in 1981, Evil Dead came from modest – very modest – beginnings, but displayed all the building blocks of greatness from Act 1, Scene 1. Director Sam Raimi, along with aspiring actor Bruce Campbell and producer Robert Tapert, came up with the idea of a bunch of hapless college-age kids going to a run-down cabin in the woods for a fun-filled weekend, only to discover an unholy book – the legendary Necronomicon. They’re dumb enough (of course) to read from it, and resurrect (or create) zombies, ot at least zombie-like, creatures they come to call “deadites” -- reanimated dead folk with violently evil new personae that take endless pleasure in tormenting, torturing, and ultimately killing any human in sight. They’re not straight-up Romero zombies, no,; they speak (or spit-speak), move fast, and think way too clearly about all the wrong things… but they’re not exactly demons from hell or simply living people who’ve become possessed, either. They’re deadites, damn it, unexplained and perhaps inexplicable hybrids that make perfect sense by making no sense at all from the very beginning.

Evil Dead cost something around $375,000 to make and returned a handsome 500% profit to its original investors. But things really took off, cine-cult-wise, with Evil Dead 2, released in 1983. 2 started in the same place, with more ‘cabin in the woods’ nonsense, but now Campbell’s increasingly deranged character Ash Williams would take center stage, and many of the artifacts that are best loved and remembered about the franchise come from this second movie in the series, including Ash’s hand becoming possessed and then detached, only to be replaced by a chain saw. And face it: any movie that shows your deceased girlfriend dancing naked in the moonlight until her head falls off, or a whole race of crazed warriors tearing the cabin to splinters all around you – well, that’s pretty much your basic “horror classic” right there.

(It’s worth noting here that Evil Dead basically invented the “cabin in the woods” trope. It’s hard to find anything before that first film that begins with the basic premise of ‘kids go to a cabin and get killed a lot;” it’s equally difficult to get an accurate count of just how many horror movies using this same premise came after Evil Dead, though it’s rarely credited as the First and Best.)

Evil Dead 2 became the real classic, and holds up remarkably well today. And even that was only the beginning. Army of Darkness (1993), a dizzying tour de force of action, horror, violence, and funny jokes took Ash and his boom stick to an absurd version of the Middle Ages to fight yet another invasion of deadites, only to return him rather unceremoniously to his job as a middle manager at S-Mart (“Be Smart! Shop S-Mart!” in the final reel. And though the franchise took a long pause at that point, the real damage to American pop culture was still to come.

Fully thirty years after the first films premiered, an entirely new version of Evil Dead (2013) appeared, a remake (of sorts), produced by Raimi and Campbell and Tapert (among others) but co-written and directed by relative newcomer Fede Alvarez, recruited from his native Uruguay after his pretty remarkable short on Giant Robots destroying Montevideo (you can see it on YouTube here. )This version featured Mia, a whole new central character with problems of her own, played powerfully by Jane Levy. It did well, as it deserved to, but people missed the madness and humor of Ash and his version of the deadites. And that led, not long after, to three seasons of Ash vs. Evil Dead (2015-1018). Original appearing on Starz, the series starred a happily aging Campbell as a not-so-happily-aging Ash and a wild crew of friends and enemies, including the impossibly still alive Lee Majors, now in his 80s, as his father, an early appearance of Samara Weaving as a recurring character in Season One, and the legendary Lucy Lawless, Xena Warrior Princess herself, as a formidable frenemy (and also, not so coincidenally, the wife of long-time producer Robert Tapert.)

And still Evil Dead will not die. In 2023, a new film, more of a deadite spin-off than a sequel, has arrived: Evil Dead Rise, which introduces a new set of characters in a brand-new urban setting. Raimi didn’t direct and Campbell didn’t appear, but both were highly involved and served as producers, and Rise has done so well that there’s already talk of a sequel in the near future.

And even more: Campbell made an announcement as Rise was rising that he was getting a little too old and tired to continue playing Ash, but (maybe because of the success of the new film) he’s recently re-opened the door to Ash-centric sequels. There is also talk of possible sequel to the 1983 version centering on the Mia character, as well as more films following characters and storylines from Rise. At last report, the Raimi/Campbell/Tapert team say they are thinking of a new Evil Dead movie from one or more of the storylines every two or three years rather than every two or three decades.

And as if that wasn’t enough… there’s the multimedia. Army of Darkness generated a wild-ass monthly comic for a while, both adaptations and new stories, written by none other than Walking Dead creator Robert Kirkman. They’re all still widely available in comics shops, bookstores, and online. And the truly legendary artist John Bolton and comics veteran Mark Verheiden crafted an extraordinarily beautiful and disturbing graphic novel of Evil Dead 2, available in a 40th Anniversary Edition both digitally and in a fancy-pants hardcover edition.

And Good God, the merch. T-shirts, posters, action figures, throw pillows, blankets – the list is long and growing daily, like the deadite horde itself. Some of the coolest can be found at The Creepy Company, but an even wider array is only one or two Google clicks away.

When people think of Evil Dead, they often think more about the sequel, or the original movie, or maybe Army of Darkness, than they think about the rather massive franchise it’s generated for almost fifty years – fifty years. With so much good Dead stuff already available, and so much more to come, the weird and wild work of Raimi, Campbell and Co. deserve to stand right up there with the equally influential work of Danny Boyle, Robert Kirkman, and even Romero himself. And still, still, it rises ...


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All Cheerleaders Die ( 2014)

All Cheerleaders Die ( 2014)

All Cheerleaders Die: A Darkly Comic, Bloody Revenge Flick with Smart Zombies

Movie/Strollers/One-on-One

Not everybody loves this movie – you can look at the Rotten Tomatoes and MetaCritic numbers and see that – and part of its appeal is definitely just the name and notion. Come on: zombie cheerleaders? You have to love it. But we tend to agree with the WeGotThisCovered review, who called All Cheerleaders Die “mindless and contrived”, but also admitted it was a “witching, bitching good time.”

One interesting production point: The semi-legendary grim-and-bloody horror auteur Lucky McKee first made this movie in 2001 when he was fresh out of film school, and liked the idea so much he remade it in 2013. The first version was a pretty straightforward (and not terribly interesting) bloodfest; in the newer edition, there’s a whole team of cheerleaders killed by heartless football players who are brought back to life with Wiccan magic, and who work together to avenge their deaths by knocking off the jocks and their minions one by one. And yes, there’s a wide-open “The End??” ending that begs for a sequel that unfortunately has never shown up.

Wedecided to include it here, and give it a solid “Adequate” rating, partly for its sheer Australian exuberance, but mostly just for the idea itself… and if you happen to have a cheerleader-type in the fam, this could be a great little gift.


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28 Weeks Later (2008)

28 Weeks Later (2008)

28 Weeks Later: A Good But Not Great Sequel To The Classic

Movie(Series)/Outbreak&Aftermath/FastZombies

Sequels are an iffy business. For every Alien or Evil Dead 2 there are half a dozen lame, tired, and uninteresting sequels to pretty great movies, even in the world of the undead. By our estimation, 28 Weeks Later falls somewhere in the middle… but then it’s got a lot to live up to when it comes to its ground-breaking predecessor.

Of course, we all want to know what happened with Rage and all of the UK after the initial outbreak. The solution to move a few months downstream seemed promising; the main plot of trying to establish a “safe zone” in the middle of deserted, infected London seemed less so. And the fact that Danny Boyle, who remained as executive producer, stepped away to direct the hugely underrated Sunshine didn’t help.

The action is great, the jump scares are well-earned. And like the first film, it’s got a great cast, including Robert Carlyle, Rose Byrne, Jeremy Renner (hey, remember him?) and some guy named “Idris Elba“ (Look him up. He has promise.). The notion of following two impulsive and dumb-ass kids was a fairly unpopular decision, and the lack of shock and detail of the first film made most zomfans go, “Yeah, it was okay, BUT…”

Still: You could do way worse when it comes to a sequel, and there are plenty of packages where you can buy both movies together. The makings of a great movie night!A 


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Anna and the Apocalypse (2017)

Anna and the Apocalypse (2017)

Anna and The Apocalypse: A Zombie Musical That's Actually Not Awful

Movie / Musical / Outbreak / Slow Zombies

Musicals and horror movies just go together, don’t they? You’ve got Little Shop of Horrors and Rocky Horror Picture Show, and…

… and…

Okay, Anna and the Apocalypse. And that’s about it.

Of that distinguished trio, Anna is certainly the newest and least known. It’s also the most charming in its own quirky way. You’ve got this typical musical comedy small town, these cute high school kids with a tendency to burst into song… and then you’ve got flesh-eating corpses that won’t stay dead. The plot is achingly familiar: You’ve seen zoms like this plenty of times before; the kids have to get back to their high school to see if their friends and family have survived The Rising (spoiler alert: most haven’t or won’t) … but this time they’re happy to stop along the way for the occasional, increasingly bizarre song-and-dance number. Like this one, with more than a touch of Shawn of the Dead from early on:

It shouldn’t work. At all. And yet… it does, at least for those among us who have a nearly equal love for the shamblers as we do the chorus line. It can be rented or purchased on Amazon, and if you go into it with no expectations, you just might find yourself unexpectedly delighted. (And the lead, the surprisingly British Ella Hunt, has gone on to do interesting work in the Dickinson TV series, the recent racism/horror movie called Master, the newest version of Lady Chatterley’s Lover, and even some truly remarkable music videos of her own on YouTube. Meanwhile, the director is working on a Lady Macbeth musical (!).

Try it. You just might like it. (Or if you have a musical/horror fan in range – sling it at them.)


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